Despite his aversion to leaving home, Huysmans’ excursions to Belgium, the Netherlands, and Germany reveal a complex relationship with art and culture. His critiques of renowned artworks, such as Rembrandt’s ‘La Ronde de nuit’, showcase his acute perception, while his sardonic reflections on cities like Brussels and Berlin illustrate his characteristic irritability and hyperbole. This anthology, ‘En voyage’, encapsulates Huysmans’ preference for imaginative travel over physical journeys, inviting readers to engage with his unique literary perspective.